英语翻译如下（不要机器翻译的,）：20世纪初,现代设计师格罗佩斯创办了包豪斯学院,并提倡“功能主义”和“理性主义”,主张

英语翻译
如下（不要机器翻译的,）：
20世纪初,现代设计师格罗佩斯创办了包豪斯学院,并提倡“功能主义”和“理性主义”,主张消除设计的地域性,从而推进了设计风格的国际化.包豪斯对现代设计的贡献是不容忽视的,但国际风格的提出让人们忽视了各国,各民族的深厚文化传统,忽略了国际化是民族化的进一步发展,是不同民族文化的共性,是以民族化的多样性来丰富的.现代设计发展到当今的多元化时代,人们又不得不重新审视各民族传统文化艺术在人们心中所积淀的生存情感心理和散射出的人性生命的光彩,从而引导着人们的生活方式和文化审美趋向.因此,对传统文化艺术的传承与超越才是探索与发展本土艺术设计的必由之路.
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20世纪初,现代设计师格罗佩斯创办了包豪斯学院,并提倡“功能主义”和“理性主义”,主张消除设计的地域性,从而推进了设计风格的国际化.包豪斯对现代设计的贡献是不容忽视的,但国际风格的提出让人们忽视了各国,各民族的深厚文化传统,忽略了国际化是民族化的进一步发展,是不同民族文化的共性,是以民族化的多样性来丰富的.
In the early 20th century, modernist designer Walter Gropius founded the Bauhaus School; he advocated the functionality and rationality in his designs, he also maintained that regionalism should be stripped from all the designs and thus promoted the international style. The contribution of Bauhaus to modern design is highly significant; but the proposed international style leads us to neglect the profound cultural traditions of various countries and their people, and overlook the fact that internationalization is a further progress from nationalization; it is a commonality derived from different national cultures and it is enriched by their diversities.
现代设计发展到当今的多元化时代,人们又不得不重新审视各民族传统文化艺术在人们心中所积淀的生存情感心理和散射出的人性生命的光彩,从而引导着人们的生活方式和文化审美趋向.因此,对传统文化艺术的传承与超越才是探索与发展本土艺术设计的必由之路.
In view of the development of modern design in the present diversified era, people have to reexamine the traditional cultures and arts of every nationality’s accumulated living emotionality and the diffused brilliance of human nature and life in the hearts of its people, so as to guide the trend of their lifestyles and cultural aesthetics. Therefore, the only way to explore and advance the local artistic designs is to inherit and surpass the traditional cultures and arts.
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