搜搜做题作业网英语翻译文学翻译中的转译与改编都属于特殊型创造性叛逆,它们的共同特点是都使原作经受了“二度变形”.转译又叫重译,指的是借
来源：学生作业帮 编辑：搜搜做题作业网作业帮 分类：英语作业 时间：2024/04/29 06:50:38
英语翻译
文学翻译中的转译与改编都属于特殊型创造性叛逆,它们的共同特点是都使原作经受了“二度变形”.
转译又叫重译,指的是借助一种外语去翻译另一外语国的文学作品.这种形式的翻译,无论中外古今,都很普遍.在大多数情况下,转译是不得已而为之的,尤其是在翻译非通用语种国家的文学作品时,因为任何国家也不可能拥有一批通晓各种非通用语种的译者.然而文学翻译又是如此复杂,译者们在从事具有再创造性质的文学翻译时,不可避免地要融入译者本人对原作的理解和阐述,甚至融入译者的语言风格、人生经验乃至个人气质,因此,通过媒介语转译其他国家的文学作品之所以会产生“二度变形”,也就不难理解了.此外,转译还具体地展示了译语国对外国文学的主观选择与接受倾向.
文学翻译中的改编,不单指作品文学样式、体裁的改变,同时还包括语言、文字的转换.改编通常出现在诗歌、剧本的翻译之中,其叛逆仅在于文学作品的样式、体裁的变化上,但是对原作内容的传达却比较忠实,尤其是严谨的翻译家,例如方重翻译的《坎特伯雷故事集》和朱生豪翻译的莎剧,因为摆脱了诗体的束缚,译作对原作的内容反倒易于表达的比较透彻和全面.当然,由于文学翻译中普遍存在的创造性叛逆,即使是严谨的改遍翻译,在作品内容的传达上照样有变形现象.
文学翻译中译者的创造性叛逆有多种表现,但概括起来不外乎两种类型：有意识型和无意识型.翻译决不是一维性的创作,而是文化与美学体系的相互渗透,译者是传情达意的积极参与者,是作者的合作者.我们只有了解了这些创造性叛逆的表现,才能做到更好地翻译,把原作的精神和面貌忠实地复制出来.
文学翻译中的转译与改编都属于特殊型创造性叛逆,它们的共同特点是都使原作经受了“二度变形”.
转译又叫重译,指的是借助一种外语去翻译另一外语国的文学作品.这种形式的翻译,无论中外古今,都很普遍.在大多数情况下,转译是不得已而为之的,尤其是在翻译非通用语种国家的文学作品时,因为任何国家也不可能拥有一批通晓各种非通用语种的译者.然而文学翻译又是如此复杂,译者们在从事具有再创造性质的文学翻译时,不可避免地要融入译者本人对原作的理解和阐述,甚至融入译者的语言风格、人生经验乃至个人气质,因此,通过媒介语转译其他国家的文学作品之所以会产生“二度变形”,也就不难理解了.此外,转译还具体地展示了译语国对外国文学的主观选择与接受倾向.
文学翻译中的改编,不单指作品文学样式、体裁的改变,同时还包括语言、文字的转换.改编通常出现在诗歌、剧本的翻译之中,其叛逆仅在于文学作品的样式、体裁的变化上,但是对原作内容的传达却比较忠实,尤其是严谨的翻译家,例如方重翻译的《坎特伯雷故事集》和朱生豪翻译的莎剧,因为摆脱了诗体的束缚,译作对原作的内容反倒易于表达的比较透彻和全面.当然,由于文学翻译中普遍存在的创造性叛逆,即使是严谨的改遍翻译,在作品内容的传达上照样有变形现象.
文学翻译中译者的创造性叛逆有多种表现,但概括起来不外乎两种类型：有意识型和无意识型.翻译决不是一维性的创作,而是文化与美学体系的相互渗透,译者是传情达意的积极参与者,是作者的合作者.我们只有了解了这些创造性叛逆的表现,才能做到更好地翻译,把原作的精神和面貌忠实地复制出来.
Literature in Translation translation and adaptation are a special type of treason creativity,their common feature is that all the original withstand the "second deformation."
Translate called Zhongyi,referring to the help of a foreign language to another foreign language translation of literary works.This form of translation,both ancient and modern Chinese and foreign,are universal.In most cases,translate,but it is a last resort,especially in non-universal language translation of literary works countries,because any country can have a number of proficient in a variety of non-universal language translator.But literary translation is so complex and the translator were engaged in a re-creation of the nature of literary translation,inevitably I have to integrate into the original translator and on the understanding,even the translator into the language of style,and life experience Personal temperament,therefore,through the media language translation of literary works in other countries reason to "second deformation",it is not difficult to understand why.In addition,the translation also demonstrated the specific language of the translation of foreign literature on the subjective choice and accept the tendency.
Literature in Translation adapt,not only works of literature that style,style changes,including language,for the conversion.Usually appear in the adaptation of poetry,translation of the script,the only treason is the style of literary works,the genre changes,but the original content of the communication is more faithful,particularly the strict translators,for example,the re-translation of the "Canterbury Tales "and include the translation ZHU Sheng-ho,because from the shackles of the poem,translated as the contents of the original instead of the relatively easy to thorough and comprehensive.Of course,due to widespread literary translation in the creative treason,even the strict translation changed times,to convey the content of the works on a deformation of the same phenomenon.
Literature in Translation Translator's creative performance of a number of treason,but can be summed up just two types:the conscious and unconscious-type.Translation is not one-dimensional nature of creation,but cultural and aesthetic system of mutual penetration,Chuanqingdayi translator is an active participant,is the author of the collaborators.Only when we understand the performance of these creative treason,can do a better translation of the original face of the spirit and faithfully copied out
Translate called Zhongyi,referring to the help of a foreign language to another foreign language translation of literary works.This form of translation,both ancient and modern Chinese and foreign,are universal.In most cases,translate,but it is a last resort,especially in non-universal language translation of literary works countries,because any country can have a number of proficient in a variety of non-universal language translator.But literary translation is so complex and the translator were engaged in a re-creation of the nature of literary translation,inevitably I have to integrate into the original translator and on the understanding,even the translator into the language of style,and life experience Personal temperament,therefore,through the media language translation of literary works in other countries reason to "second deformation",it is not difficult to understand why.In addition,the translation also demonstrated the specific language of the translation of foreign literature on the subjective choice and accept the tendency.
Literature in Translation adapt,not only works of literature that style,style changes,including language,for the conversion.Usually appear in the adaptation of poetry,translation of the script,the only treason is the style of literary works,the genre changes,but the original content of the communication is more faithful,particularly the strict translators,for example,the re-translation of the "Canterbury Tales "and include the translation ZHU Sheng-ho,because from the shackles of the poem,translated as the contents of the original instead of the relatively easy to thorough and comprehensive.Of course,due to widespread literary translation in the creative treason,even the strict translation changed times,to convey the content of the works on a deformation of the same phenomenon.
Literature in Translation Translator's creative performance of a number of treason,but can be summed up just two types:the conscious and unconscious-type.Translation is not one-dimensional nature of creation,but cultural and aesthetic system of mutual penetration,Chuanqingdayi translator is an active participant,is the author of the collaborators.Only when we understand the performance of these creative treason,can do a better translation of the original face of the spirit and faithfully copied out