英语翻译In modern times (increasingly over the last half-century

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英语翻译
In modern times (increasingly over the last half-century; most notably since the start of the 2000's),this genre's immense success as a commercial product has,ironically,led to even more commercialization within the music itself,with "artists" being drawn in by companies for their appearance,dancing ability and vocal competence; and being provided with an image,choreography,and most importantly complete songs by veterans working for the record company.Some notable examples include Swedish songwriter Max Martin's having crafted most hit songs by pop acts such as Britney Spears and The Backstreet Boys,and the pop boy band O-Town having been created as an MTV show.This technique for creating music is massively effective commercially for several apparent reasons.It is adept at targeting specific demographics among young people,since songs are written with that purpose in mind by talented professionals,and images crafted similarly.
Also,by sticking to a straight-forward formula and format,it is able to produce a consistent,predictable,and marketable product.That ability is only aided,naturally,by the vastly reduced output of the artists preventing companies' dependency on their eccentricities and whims.On the other hand,that reduced role for the artist,especially in the creative area,has always drawn harsh criticism from music fans who are painfully aware of its lack of substance.A music production method completely opposite to that of pop music is that of indie music,where record labels are small,vastly dependent on their few artists,and run by young entrepreneurs rather than corporate veterans.Indie artists,in turn,are in no way image driven,not widely marketed (often because of the label's financial constraints),and are almost universally of organic origins rather than having been assembled by their label.Many new artists turn to small indie labels since their reduced marketability makes them an unpopular choice with major labels.

近代(日益过去半个世纪; 最值得注意的是自2000年),这一体裁的巨大成功,作为商业产品,讽刺,更导致了商业化的音乐本身"艺术家"被划在了公司仪容、声乐、舞蹈能力胜任;并设有形象,编导,最重要的工作,完成歌曲唱片公司老总.一些显着的例子包括瑞典作曲家马克斯-马丁的最畅销曲的流行有精工等行为britney长矛和私下男孩男孩和流行乐队邻镇已形成一个MTV等表演.这种技术是将大量的音乐创造效益数明显商业理由.这是针对特定的人口统计擅长青少年为此,自歌写的人才记、图象同样精工.同时,坚持开门见山公式和格式,它能够提供一个一致的、可预见和适销对路的产品.这种能力,只是辅助,自然由大大减产的艺术家防止公司依靠自己遐想和冲动.在另一方面,这对艺术家的作用降低,特别是在创意方面,一向严厉抨击音乐取用球迷痛苦地意识到其缺乏实质内容.音乐制作方法完全相反,流行音乐就是音乐北京狗,那里记录的小标签,大大依赖其数艺术家由青年企业家、而非企业老总.北京狗艺术家,如此一来,绝不是形象驱动,没有广泛盛行(常常因为标签的财政限制),而几乎举世而非有机渊源已集结了自己的帽子.许多艺术家转向新的标签来减少小型北京狗销路使得他们不受欢迎选择大标签.

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